Breathe: A new audio-visual installation in Development by Anju Singh and Sammy Chien.
Co-produced with Chimerik 似不像.

Learn more

Dare to Dream aria from Did I Just Say That?, featuring mezzo soprano Emma Parkinson, soprano Sodam Lee, and pianist Perri Lo. Music video produced by re:Naissance Opera.

 

L-R: Soprano Eva Tavares as Cecilia, and Canadian-Asian Mezzo-Soprano Emma Parkinson as Gabriella in
Did I Just Say That?

 

Since 2006, Visceral Visions has offered workshops and mini-intensives with master voice teacher, David Smukler, for Vancouver-area performers, directors, teachers, business leaders, and other professionals. Participants in our most recent mini-intensives in April 2018 commented on their experiences:

David’s workshop was fantastic. In just five evenings I walked away not only with specific and immediately applicable tools for any actor (film, TV, stage, voice over, radio) but also with a better understanding of how to explore further on my own. I’m particularly excited about the discovery of new ways to figure out the right questions to ask of a text or scene, and my relationship to it through breath. - TN

David's passion for the voice and body is infectious. I value every opportunity to work with him. A master teacher, he is able to meet the actors where they are in their journey, and to personalize his teachings, so that you walk away feeling empowered, curious, and better connected to your voice. Most importantly, he plants the seeds of curiosity, a supportive foundation for an actor to begin exploration of authentic voice, or to come back for fine-tuning and further growth. - QN

Sign up to receive updates about future workshops with David in Vancouver.

Written by Valerie Sing Turner

Christopher Hitchens, the celebrated author and journalist, devoted more than 140 pages of arguments, references and sources in The Trial of Henry Kissinger to support his belief that Kissinger should be prosecuted “for war crimes, for crimes against humanity and for offences against common or customary or international law, including conspiracy to commit murder, kidnap and torture.” 

Update: July 26, 2024

Join us for a staged reading of the latest draft of Valerie’s script, following an extensive development workshop with a full company of actors, designers, and cultural consultants in residence at the Norman & Annette Rothstein Theatre.

Sunday, July 28, 2024
4:30pm PT

Staged Reading + Talkback
Livestreamed + In-Person: no admission charge

Norman & Annette Rothstein Theatre
950 41st Avenue West
Jewish Community Centre, Vancouver

RSVP NOW!

Headlined by a fabulous and entirely BIPOC cast – David Geary, Donna Yamamoto*, Justin Neal, Kim Villagante, Lissa Neptuno*, Ray Koh, Ronin Wong*, Sarah Kelley*, Sunny (Daydream) Chen*, Yumi Ogawa* – the presentation may (or may not?!) also include a few design elements coming out of our about-to-begin Design Jam explorations with Anju Singh (composer/sound design), Cande Andrade (projection design), and Chengyan Boon (set/lighting design).

We invite you to come and witness a unique phase of our creative and collaborative process, and take advantage of the opportunity to pose questions to the playwright and other members of the company during the post-show talk-back. Our thanks to Ray Thunderchild* for his contributions as actor to the first few days of our workshop process!

Valerie Sing Turner* - Playwright/Director
April Starr Land* - Stage Manager
Jessica Schacht - Dramaturg
Paige Louter - Producer
Daryl Cloran - Directing Mentor
Xwechtaal (Dennis Joseph) - Sḵwx̱wú7mesh (Squamish) Elder/Cultural Consultant
Catherine Clement - Community Historian (Chinese Canadians during WWII)
Sherri Kajiwara - Director | Curator, Nikkei National Museum
Maiko Behr - Japanese Cultural Consultant

We are beyond grateful to Jessica Mann Gutteridge and Holly Karpuik, who have been unparalleled hosts during our residency at the Norman & Annette Rothstein Theatre; and to Janice Beley for taking such good care of us during the text workshopping sessions at SFU Woodward's. We also want to thank the Canada Council and BC Arts Council, without whose funding support this workshop would not have been possible, as well as acknowledge Théâtre la Seizième for providing some gear and materials.

Synopsis: It’s 1988. A family gathers to discuss what to do about Esther, a Chinese-Canadian WWII veteran, as they can no longer ignore her growing dementia. She keeps talking to Victor, her beloved brother, whose death she blames on the Japanese when he served in the Pacific arena during World War II. Her husband George, an Indigenous WWII veteran, was Victor’s best friend; they had all joined up full of dreams and adventure. Their son, Gary, arrives with his white wife and their daughter Lucy. Things are already tense when estranged eldest daughter Nancy shows up with husband Ken and their two daughters – who have never met Esther and George because Ken is Japanese-Canadian and Esther refuses to acknowledge his existence. But the real fireworks begin when Prime Minister Brian Mulroney announces his plan to apologize to the Japanese Canadians who were interned during WWII. In the Shadow of the Mountains ponders the true meaning of reconciliation when the weight of Canadian history threatens to tear us apart.

* The participation of these Artists is arranged by permission of Canadian Actors’ Equity Association under the provisions of the Dance Opera Theatre Policy (DOT).

The livestream screening has been produced with the co-operation of the Union of B.C. Performers.