L-R: Soprano Eva Tavares as Cecilia, and Canadian-Asian Mezzo-Soprano Emma Parkinson as Gabriella in Did I Just Say That?
Since 2006, Visceral Visions has offered workshops and mini-intensives with master voice teacher, David Smukler, for Vancouver-area performers, directors, teachers, business leaders, and other professionals. Participants in our most recent mini-intensives in April 2018 commented on their experiences:
David’s workshop was fantastic. In just five evenings I walked away not only with specific and immediately applicable tools for any actor (film, TV, stage, voice over, radio) but also with a better understanding of how to explore further on my own. I’m particularly excited about the discovery of new ways to figure out the right questions to ask of a text or scene, and my relationship to it through breath. - TN
David's passion for the voice and body is infectious. I value every opportunity to work with him. A master teacher, he is able to meet the actors where they are in their journey, and to personalize his teachings, so that you walk away feeling empowered, curious, and better connected to your voice. Most importantly, he plants the seeds of curiosity, a supportive foundation for an actor to begin exploration of authentic voice, or to come back for fine-tuning and further growth. - QN
Sign up to receive updates about future workshops with David in Vancouver.Read more
Written by Valerie Sing Turner
…for experimental theatre and dance lovers, this independent show is not to be missed…Turner’s debut as a playwright [is] an incredible feat considering the complexity of the show’s topic and her atypical approach in dealing with such a controversial theme…brilliantly explored… - 11 Stations Blog
Written by Valerie Sing Turner
Christopher Hitchens, the celebrated author and journalist, devoted more than 140 pages of arguments, references and sources in The Trial of Henry Kissinger to support his belief that Kissinger should be prosecuted “for war crimes, for crimes against humanity and for offences against common or customary or international law, including conspiracy to commit murder, kidnap and torture.”
Written by Deborah Gkashugi Asiimwe
Visceral Visions was proud to be one of 14 local companies presenting short plays about climate change as part of Climate Change Theatrical Action Vancouver.Read more
Update: February 9, 2022
We're thrilled that In the Shadow of the Mountains was curated as part of Ruby Slippers Theatre's 2022 Advance Theatre Festival at the Shadbolt Centre for the Arts (Burnaby, BC) on February 8th at 8pm for a Studio Theatre and livestreamed reading!
Back row: June Fukumura, Angela Chu, Lauren Preissl, Sharon Crandall, Odessa Shuquaya
Front row: Donna Soares, Jordan Waunch, Ray Koh, Evan Adams, Raugi Yu
Directed by Valerie Sing Turner, with dramaturgy by Debi Wong, the stage directions were read by Chris Gatchalian, who also moderated the post-show talkback. The audience was complimentary about the performances of the talented cast of 10 Indigenous and East Asian actors, and were even more impressed upon learning that the cast had only started rehearsals that morning!
With pandemic restrictions starting to ease, we are hoping to attract producing partners to support a longer and more robust workshop process that such a large ensemble piece requires, before moving on to a full production.
Synopsis: It’s 1988. A family gathers to discuss what to do with Esther, a Chinese-Canadian WWII veteran, as they can no longer ignore her growing dementia. She keeps talking to Victor, her beloved brother, whose death she blames on the Japanese when he volunteered to serve in the Pacific arena during World War II. Her husband George, an Indigenous WWII veteran, was Victor’s best friend. Their son, Gary, arrives with his Caucasian wife, Joanna, and their 18-year-old daughter Lucy. Things are already tense when estranged elder daughter, Nancy, shows up with husband, Ken, and their two daughters Denise and Andrea, who have never met Esther and George because Ken is Japanese-Canadian and Esther refuses to acknowledge his existence. But the real fireworks begin when Prime Minister Brian Mulroney announces his plan to apologize to the Japanese Canadians who were interned during WWII. Will the weight of Canadian history tear them apart?Read more
Created and directed by Marie Clements
...three magnificent divas--[Jennifer] Kreisberg, Cheri Maracle, and Michelle St. John...combined fierceness and vocal power [to] quite literally "take [our] words away" (to paraphrase the song...)...a powerful experience...
Peter Dickinson - Performance, Place and Politics
Written by Laurie Fyffe
"...fascinating little one-act work...a nuanced descent into all kinds of dark corners...simply brilliant..." - Vancouver Sun
"...searing, almost embarrassingly fascinating...unprecedented collaboration with the CBC..."- The Courier
ARTISTS! THE CULTUREBREW.ART ARTIST PORTAL IS OPEN!
The CultureBrew.Art Artist Portal is open! If you are an Indigenous or a racialized artist, join now to set up your artist profile, add your disciplines, marketable skills, portfolio items (audio, video, and images), and other information that will ensure that when the Engager Portal opens, they can easily find you for opportunities, gigs, and other work. You can browse the profiles of other BIPOC artists, and connect with them through our private and secure internal messaging system!
ARE YOU LOOKING FOR BIPOC ARTISTS? THE CULTUREBREW.ART ENGAGER PORTAL IS ANTICIPATED TO OPEN SOON! WE HEARD YOUR FEEDBACK!
Access to the Engager Portal is temporarily disabled to new registrations until the upgrades and other improvements are completed. We know you're excited to start looking through the hundreds of artist profiles in CultureBrew.Art for your projects, so please sign up to our mailing list, and be among the first to receive news of when we reopen. In the meantime, you can now post opportunities to reach artists in the CBA community for a small donation (suggested amount $25).
CultureBrew.Art (CBA) is a digital platform that promotes and fosters intersectional interculturalism throughout the literary, performing, and media arts sectors – and beyond! Its central tool is a national searchable database of Indigenous and racialized artists – writers, directors, actors, musicians, dancers, singers, filmmakers, designers, choreographers, composers, stage managers, production and other performing and media arts professionals – to which theatres, dance and opera companies, film/TV casting directors, indie directors/producers, schools and post-secondary training programs, social service agencies, ad agencies, media outlets, and governmental agencies may access as subscribers. Other digital tools and educational enhancements will be added as demand dictates and funding allows.
We welcome creators, performers, and any other design/technical/production professionals in the performing, literary, and media arts who self-identify as BIPOC (Black, Indigenous, People of Colour).
CBA will be a powerful tool for building a more inclusive arts sector that more authentically reflects Canada by promoting Indigenous and racialized artists; increasing hiring opportunities for BIPOC; and fostering intercultural connection, community, and artistic collaboration. CBA is searchable by gender, racial/ethnic heritage (Indigenous, African, East Asian, Latin American, South Asian, West Asian (Middle Eastern), mixed ethnic heritage), languages, artistic disciplines, and other fields as determined by research data gathered through community consultations.
Based on input from accessibility testers as well as artist and engager feedback, we are constantly making improvements and updates to CultureBrew.Art to increase user-friendliness, and improve ease of navigation.
Key members of our team include Creative Director Valerie Sing Turner and Technical Director Anju Singh.
It's been said that farmers don't grow crops; they create the essential conditions for crops to grow. CBA will be a vital tool to break systemic divides, disrupt institutionalized structures, and create conditions under which BIPOC artists – and by extension, the wider Canadian arts ecology – can thrive. We are therefore grateful for support from: