Written by Valerie Sing Turner
It’s 1988. A family gathers to discuss what to do with Esther, a Chinese-Canadian WWII veteran, as they can no longer ignore her growing dementia. She keeps talking to Victor, her beloved brother, whose death she blames on the Japanese when he volunteered to serve in the Pacific arena during World War II. Her husband George, an Aboriginal WWII vet, was Victor’s best friend. Their son, Gary, arrives with his Caucasian wife, Joanna, and their 21-year-old daughter Lucy, who is Poh-Poh’s favourite. Things are already tense when estranged elder daughter, Nancy, shows up with husband, Ken, and their two daughters Denise and Andrea, who have never met Esther and George because Ken is Japanese-Canadian and Esther refuses to acknowledge his existence. But the real fireworks begin when Prime Minister Brian Mulroney announces his plan to apologize to the Japanese Canadians and their families who were interned during WWII. Will the weight of Canadian history tear them apart?
Currently in development.
National Arts Centre, English Theatre Collaboration - Visceral Visions
National Arts Centre, English Theatre 2016/17 Artist in Residence - Valerie Sing Turner
October 24, 2015: WWII veteran and family friend, Victor Wong, with Valerie Sing Turner at the Chinese Canadian Military Museum's 70 Years Gala marking the end of World War II. Photographer credit: Doug Bing